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李亚伟“面目全非”艺术展在北京泉国际艺术空间隆重开幕
浏览记录:1842 |发布时间: 2019-04-28 |【字号 字体: |



李亚伟“面目全非”艺术个展2019年04月14日下午15:00点在北京泉国际艺术馆隆重举办,这次展览的主办机构:泉国际(香港)艺术机构、北京二十四桥传媒,联合协办:狼泊弯艺术会所与北京桢好文化传媒,学术主持畅泉先生,策展人谭念一(多多)小姐,周小冬先生出品,艺术总监王志敏先生。


周小冬、胡介报、谭念一、李亚伟、帅好、祁志龙、王志敏、田军

展览艺术现场

出席参加“面目全非/李亚伟艺术个展”嘉宾有:宋庄当代艺术文献馆馆长胡介报先生、著名艺术家祁志龙先生、著名艺术批评家帅好先生,同时还有著名艺术家朋友:伊灵、赵斌、梁卫平、梁旭、白野夫、刘国义、张蕾、申冠军、孙玺祥、朱学文、曾浩、周小冬、库雪明、田军、孙华卫、王勇、吕宗平、侯波、多巴、申冠军、周颖超、王慧斌、杨毅达、王在邶、张后、简斌、沈亦然、沈沁、杨文萍、王晓蓉、罗列、华继明、刘磊、王玉光、戴萍、三哥、吴有、王昭旻、史绪、武研希、何继、何金拾、李平、蒋佑胜、圣兰、吴佳芮、汲书义、王瑞佳、赵彰、梁圣淇、宋克冰、姜建平、唐荷洋、罗列、杜小军、解永生、孙光华、张加、傅丽竹、李建军、七客、彭渊、吴梦湄、蔡桂芹、刘冰、郭志锋、郭春亭、唐建英、高人杰、陈子风、王晟芦、施海兵、帅鹰、刘立足等好朋友到来;展览盛宴在狼泊弯艺术会所欢乐举行。


宋庄当代艺术文献馆馆长胡介报与李亚伟

著名艺术家祁志龙先生


著名艺术批评家帅好先生

著名艺术家、本次展览学术主持畅泉先生

本次展览策展人谭念一小姐

本次展览出品人周小冬先生

著名艺术家梁卫平先生


策展人谭念一给展览前言写:我们身不由己,我们已面目全非。

本次展览的学术主持畅泉先生说:人类的一切精神个体都会在冰冷的固化中被假设破碎,某种灰色的逻辑即将掉入人性黑暗的深渊,崇高是伪性的外壳,你所拥有的浮夸或赞美如同凋落的星辰,最终把光芒的那一刹间虚幻成唯一的自我希望。

李亚伟“面目全非”艺术个展在北京泉国际艺术空间延续展览到5月1日,欢迎朋友到来观展交流


著名艺术家赵斌与李亚伟

帅好、王昭旻、沈亦然、王慧斌、郭志锋

展览策展人谭念一与著名艺术家伊灵

畅泉、七客、华继明

先锋电影人周小冬收藏李亚伟作品

著名音乐家梁旭、申冠军、周小冬

著名艺术家白野夫与李亚伟

国际艺术家多巴与李亚伟

著名艺术家刘国义与李亚伟

北京而已美术馆馆长孙玺祥、谭念一、三哥

著名批评家帅好与艺术家王慧斌、王昭旻、郭春亭等友人

艺术家杜小军先生

采访国际友人艺术家brendy

艺术家罗列

恩来美术馆馆长朱学文与艺术家宋克冰







展览现场

展览现场的小朋友们








李亚伟作品展览现场

展览晚宴在狼泊弯艺术会所进行



悲剧的力量 | 观李亚伟“面目全非”个展

( 文 : 刘磊 )

“悲”针对“喜”而言,是人类情感世界、现实生活中的一种情感表达方式,是人的生理感受和心理反应的情感堆积和释放。人是感性动物,具有生物的自然属性和社会意识形态的社会属性。

从生到死,人总是在各类形形色色的感情世界中感觉感受和认知。一句话,总是在情感世界中成活。一旦没有了情感和感知,人也就死亡了。无论是悲剧的喜剧的、甜的苦的酸的麻的、假丑恶、真善美的等等。在人生百态百感中,除了喜剧,就是与之相对应的悲剧,更具有人生的现实意义和摧人心肝,撕人肺腑的震撼力。


李亚伟是一位九零后艺术家,和大多九零后的小清新绘画不一样的是,他更关注人性中阴暗的一面,更关注人际关系中混乱的真实,作品中的人物充满了狰狞、扭曲、痛苦,在他的《肖像系列》中,每一张脸都讲述着自己的悲痛的经历——怪诞的眼神,夸张的表情,神经质的可怖面孔。他的画使观者有种触目惊心的悲伤,使人既害怕又想看详细,拒绝观看却在内心留下深刻的印象。

李亚伟痴迷于表现这种消极力量,他善于发现生活中的种种悲伤,表现悲剧的生活中留下的痕迹。作品中的每张脸就是一部苦难史,甚至不敢想象他们经历了什么,他表现这种生活的残酷,恰恰是对美好的一种向往,对生活在苦难中的人的悲悯。


李亚伟的作品充斥着破坏的力量,他就像一个悲情的导演,用一个个镜头讲述着不同的痛苦,蒙娜丽莎是达芬奇苦等两年抓住了一个悲伤者幸福的瞬间,而李亚伟恰恰相反,他通过观看普通的人,努力抓住他内心的痛苦,将其痛苦的瞬间通过夸张的表情,扭动的躯体呈现出来,他的人物肖像不止狰狞扭曲,甚至在头上开出一个空洞,使这种狰狞更恐怖,使其中的痛苦更具体,使这个瞬间感受的图像凝固,甚至变成雕塑一样。于是痛苦变成了躯壳,痛苦到了极致是什么——否极泰来,痛苦过后是一种对生活的接纳,对生命的珍惜。无论生活变成什么样子,那只是瞬间。悲剧激发了我们对生活的珍惜,对他人的尊重,对事物的善良。

李亚伟有过苦难的经历,有过对苦难深刻的理解,他善于发现别人的痛苦,通过对苦难的艺术表达,使人发泄情绪,发现善良。


在他的作品《坠机》、《葬礼》、《夫妻》、《白口罩与蓝天》等作品中都能看出,对于灾难、死亡、人际关系、人和自然的关系的思考,与那些美好和甜美不同,通过李亚伟的视角,我们看到的是一部灾难电影,他没有商业喜剧的票房,却是不可或缺的思考。


人生始终是企求平安健康、甜美幸福、希望理想而活在世上的。除了安身立命的物质基础外,人更需要社会和他人的关怀、爱护和精神支撑,需要人与人的理解沟通和安抚。需要慧觉的明灯导航,黑暗中能见到曙光,行途中不至于迷航。当这些东西消失殆尽时,人自然产生情绪情感上的波动和震荡,忧郁烦恼、寂寞孤独、痛苦悲恸等随之而生。这种种情绪一旦与外界他方产生关系时,在接触的瞬间就会以不同的形式反应出来。不是在沉闷中死寂,就是于无声中爆发。压抑、哀伤、哭泣、流泪、嚎啕、抽搐、失控、轻生等一系列生理反应便表现出来,从而书写了他及人类生活的悲壮历史,像大自然天有风云雷电,季有春夏秋冬,月有阴晴圆缺等一样。人生之悲的其它情感一样是一种生活常态,是生物世界弱肉强食与人类世界精神幅射的自然规律,本不足以为奇。


喜乐、甜美、真善,是人的生之希望和企求,是人生的一种理想标杆,尽管人与人其质不同,但其心理希求是一样的。故此,怎样摆脱悲剧负面情感的恐惧,是人一生为之拼搏、努力而成功的关键。悲喜相互转化,也是人类情感相生相克的难以脱离的魔咒。


肖像系列 纸本综合材料 40x50cmx8幅 2018年


家庭成员 纸本综合材料 120x110cm 2018年


坠机 纸本综合材料 40x50cm 2018年


夫妻 240x110cm 纸本综合材料 2018年


葬礼 纸本综合材料 45x55cm 2018年


母子 纸本综合材料 40x50cm 2018年


痕迹 纸本综合材料 110x80cm 2018年


城市的温度 纸本综合材料 50x40cm 2018年


怪异的沙发 纸本综合材料 360x180cm 2018年


The power of tragedy | view of li yawei's "beyond recognition" art exhibition

( wen: liu lei )


"Sadness" is a kind of emotional expression in the human emotional world and real life, as well as the emotional accumulation and release of physiological feelings and psychological reactions. Man is a perceptual animal with the natural attribute of biology and the social attribute of social ideology.

From birth to death, people are always in all kinds of feelings in the world of feelings and cognition. In a word, always alive in the emotional world. Once there is no emotion and perception, people also die. Whether tragedy comedy, sweet bitter bitter hemp, false ugly, true, good and beautiful and so on. In the hundred states and feelings of life, in addition to comedy, it is the corresponding tragedy, but also has the realistic meaning of life and heart-breaking, piercing power.

Ya-wei li is an artist after rates, and rates mostly small and pure and fresh after the painting is not the same, he is more focused on the dark side of human nature, and pay more attention to interpersonal relationships in the chaos of the real, the characters in the works full of ferocious, distortion, pain, in his "the portrait series," every face telling its own sad experience - bizarre eye, exaggerated expression, neurotic fearful faces. His paintings leave the viewer with a startling sense of sadness, a mixture of fear and a desire to see in detail, a refusal to see that leaves a deep impression on the viewer.

Li yawei is obsessed with the expression of this negative force. He is good at discovering all kinds of sadness in life and showing the traces left by the tragic life. Every face in the work is a history of suffering, even dare not imagine what they have gone through, he shows the cruelty of this kind of life, just a kind of yearning for beauty, for the people living in the suffering of compassion.

Ya-wei li works filled with the power of destruction, he is like a tragedy of the director, with each lens tell us about the different pain, the Mona Lisa is Da Vinci waiting for two years caught a sad moment of happiness, and ya-wei li on the contrary, he by watching the ordinary people, trying to seize his inner pain, the pain of the moment by exaggerated expressions, twisting the body, of his portraits more ferocious distorted, and even open a hole in the head and make this ferocious more terrorist, make the pain more concrete, make this moment feel the images of the solidification, and even become a sculpture. Then the pain into a body, the pain to the extreme is what -- after a storm, the pain is a kind of acceptance of life, the treasure of life. No matter what life becomes, it is just a moment. Tragedy inspires us to cherish our life, to respect others and to be kind to things.

Li yawei has experienced suffering and had a profound understanding of suffering. He is good at discovering the suffering of others. Through the artistic expression of suffering, he makes people vent their emotions and find kindness.

In his works "crash", "funeral", "husband and wife", "white mask and blue sky can be seen in the works, such as for disaster, death, interpersonal relationship, the relationship between man and nature of thinking, unlike those happy and sweet, from the Angle of ya-wei li, we see is a disaster film, he had no business comedy at the box office, is indispensable.

Life is always for peace and health, sweet happiness, hope the ideal and live in the world. In addition to the material basis of life, people also need the care, love and spiritual support from the society and others, as well as the understanding, communication and comfort of people. Need the light of wisdom to guide, can see the dawn in the dark, the journey will not get lost. When these things disappear, people naturally produce emotional fluctuations and shocks, followed by depression, loneliness, pain and sadness. These emotions are reflected in different forms at the moment of contact once they have a relationship with another party. It either dies in silence or erupts in silence. A series of physiological reactions, such as depression, sadness, crying, tears, crying, convulsions, loss of control, and suicide, are shown, thus writing the tragic and stirring history of his life and human life, just like the nature of thunder and lightning, season has spring, summer, autumn and winter, and the moon has a rain or shine circle and so on. Sadness of life, like other emotions, is a normal state of life, a natural law of the jungle of the biological world and spiritual radiation of the human world.

Joy, sweetness and goodness are the hopes and aspirations of human life and the ideal benchmark of life. Although people are different in quality, their psychological aspirations are the same. Therefore, how to get rid of the fear of the negative emotions of tragedy is the key to success in one's life. The mutual transformation of sadness and joy is also a magic spell that human emotions are mutually reinforcing and difficult to break away from.





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